Four Quick, Green and Frugal Beauty Tips

Friday, November 22, 2013

If you've been chasing down the promise of amazing skin and hair, put away your wallet and open the pantry.

1. Wash your hair with baking soda. You don't need shampoo ever again. Everyone thinks I'm crazy for this one-- until they try it. Even my boyfriend is hooked. Just dilute baking soda to about 10% (approximately) with warm water in a mason jar or other container and pour over your head in the shower or bath. Massage your scalp lightly and let it sit for a bit in your hair. It feels awesome. Then rinse normally. For convenience, I keep a jar of baking soda with a scoop in it, and a second empty jar next to the tub that I use to dilute it and pour over my head. Your hair will be totally clean and residue free and smell like absolutely nothing. Residue-free hair won't be weighed down by the nastiness commercial shampoos leave, giving you not only truly clean hair, but fresh styling options with plenty of volume to play with. 

2. Condition your hair with apple cider vinegar diluted the same way. Want to make your hair silky, shiny, and still residue free? Thought so. Pour it right over your hair after the baking soda has been sitting. Enjoy the bubbles and rinse well. I promise your hair won't smell like vinegar, but you can add a drop of your favorite essential oil if you wish. You can substitute white vinegar if you don't have the apple cider kind.

3. Baking soda is the perfect microdermabrasion. Forget expensive facial kits or weird electric contraptions and stay away from chemical peels. Does "chemical peel" really sound like something you want to do to your face?! Horrifying. Just lightly moisten about a teaspoon of baking soda on your fingertips, massage your skin lightly, and rinse. The slightly abrasive crystals will exfoliate away gross buildup and leave you with a fresh complexion. Once or twice a week is best. It's even safe for freakishly sensitive and acne prone skin like mine.

4. Shave with olive oil and eliminate razor burn. The first time I did this I wondered why anyone ever bothered to invent shaving cream. My razors also stopped rusting since I switched. You only need a little bit, just spread on and shave like normal. Oil creates the perfect lubricant to prevent that horrible drag of the blades that has been leaving your skin feeling rough and irritated. You can rinse off with a mild soap after if you dislike the slightly oily feeling or just rinse to leave your skin moisturized. And no, oil does NOT give you acne. Bath and beauty marketing lies! Alternatively you could use coconut oil or just about any other type of skin-friendly oil like jojoba.

Don't knock it until you try it, kids. Your body and your bank account will thank you.

Improvised Design: Simple String Lights Made Out of Coffee Cans

Saturday, December 8, 2012

Every artist needs light. While the early mornings bring excellent daylight to my studio, I need a little extra boost after the sun goes down. While a pair of desk lamps is the standard choice for most, I have always found myself constantly frustrated with the abundant cast shadows that desk lamps cause when I am trying to make my artwork. I also have very limited desk space and I try to optimize it as much as possible.

The number one solution for small spaces is always to look up. I have been fantasizing about a nice set of track lights for years, but until I have the cash and the freedom to rewire my apartment that option was pretty much out of the question. The solution:

A simple, frugal design project-- coffee can string lights.

As it turns out, coffee cans make excellent light fixtures. They are reflective inside, light, and sturdy. I finished off five cans of coffee in a shamefully short amount of time and held onto the cans and lids.

A few coats of gesso and bright orange acrylic and I had my housings. It was a simple matter remove the bottoms with a can opener and make a hole in the lids just the right size to feed the bulbs through.  I had an old set of cheap string lights that worked perfectly once the green cord was painted white to minimize the ugliness. Screwing the light bulbs into the sockets holds the fixtures in place, kind of like a bulb/lid/socket sandwich.

If you are trying this yourself, make sure the lids are secure with a strong adhesive like super-glue or even hot glue. Epoxy is wonderful too, though I was out so I used a jewelry adhesive on mine. The lids for the coffee brand I buy are translucent, which makes for a wonderful up-lighting effect, while still shedding the majority of light downward onto my workspace.

Problem solved!

A Freelancer's Guide to Getting Paid

Tuesday, September 18, 2012

Get paid! This sounds simple enough, but it's where many newbie freelancers (and even veterans that should know better) screw up. Whether you are breaking into illustration, graphic or web design, or doing fine art or craft commissions, getting paid for your art can be an art form all in itself. With a little education and determination, you can make your skills work for you.

Here, I've written out everything that I wish I had known when I was just starting out in creative freelance information gleaned from nearly six years in the industry and through my BFA education. While I still have a lot to learn myself (and there is always more to learn), I hope this article proves invaluable to creatives struggling with the professional side of freelance art and design.

Get Good.

First it has to be assumed that you have honed your artistic skills to a marketable level. This can be pretty hard to determine for yourself, so instead of over-analyzing it I would suggest you just jump in and see how the market responds.

I usually run into one of two types of young artists in the industry: either they are overly confident rock stars that spent more time in school practicing their signature than learning the trade, or they are very talented and hardworking individuals that have low confidence in their skills and undervalue themselves. I believe the second type is actually much more common.

In my opinion, a golden balance between those two attitudes is the recipe for success in the art world. If you do good work and you act like it, then you will inspire clients to chose your services and keep them coming back with a job well done.

Don't panic.

Full-time freelance can be a rough road, so prepare yourself for a bit of a learning curve. Dismiss any feelings of desperation you might be having. This not only clouds your judgement and leads you accept jobs that aren't worth your time, but your clients will pick up on it instantly. For example, do not accept the jobs you see on Craigslist offering to pay $50 for a fully rendered portrait. I saw one once asking for EIGHT portraits and offering only $50. I laughed out loud when I saw it and I pity the poor soul that responded to that ad.

People posting these jobs have no concept of how much work art really is, and how much it is worth. You can bet they will be a pain in the ass to work with when it comes down to it as well. Ask yourself this: if someone asked you to make 1000 of those at that price, would you be ecstatic or miserable? Sure, in this case that's $50,000, but it would take you the rest of your life. Learning how to say "no," is a skill in itself.

What should you charge for your work?

Break it down by how much you want to make per hour, and multiply by how long the project will take you. This does not mean minimum wage. Minimum wage is for unskilled labor, and you have skills. Remember that you are probably not your target audience, so what you could personally afford if you were the buyer is irrelevant.

It helps a lot to know yourself and your process when coming up with a time estimate. If you are unsure, time yourself doing one of your techniques; you might be surprised at what you discover. Before you agree to a price on a project, estimate how many hours you will spend on the piece. Add in some wiggle room and make sure that you can easily fit in that amount of time before the deadline. If your cat eats a funny frog and you have to make an emergency vet trip, you don't want to have set yourself up so that the deadline is so tight you have to choose between your poor cat, who is now laying on the floor foaming at the mouth, and your next rent check. (Hint: save the cat.)

Make sure you are not planning to be constantly stressed out. You can handle a hard push here and there, but eventually you will burn yourself out doing that all the time. Charge more for rush jobs that will cause you to work overtime. On top of the hourly wage for the time you spend physically creating the artwork, it is also good practice to charge a base price. Don't forget that you will be spending time meeting with (or emailing / phoning) the client and discussing the project, gathering reference, doing research, and brainstorming ideas. All of the time you spend on these things add up to billable hours. For some projects, royalties may also be appropriate. Add in the cost of your materials as well. If you paid good money for your design software, this counts as materials also. However you want to break it up to make that money back is up to you, but be smart and fair about it.

Remember, your client is not only paying for your work, they are paying for your expertise. How many thousands of hours have you spent perfecting your skills? All that time gives you real value, and you can charge a premium for it. Many artists think "anybody can do this." I felt that way for years, and it took me a long time to realize that no, they can't. It's still strange to me, but most people simply can't think the way you do when you make art. Even if they could, they haven't put in the years of practice and learning that you have been all along as if it were second nature.

There are other reasons to charge what you are really worth. If artists are consistently under-charging, then the market responds and people start to expect that they can pay peanuts for good artwork. Let's be honest and admit that there is a lot of this going on already. If you set your prices so that people learn to respect that art has value, you bring up all of us. If you charge what you are worth (and it's usually more than you might think before you actually crunch the numbers), then you will also wind up with better clients that won't be trying to cut corners at every turn.

Don't worry about undercutting the competition. It is better to compete by making better work than being that cheap design guy. People can go to websites with premade stock photos and designs if they are looking for cheap. It is obviously possible to charge too much, but don't necessarily assume this is the case just because you had a few potential customers walk away or even laugh. It could be that you are just not reaching your target audience and you need to connect with the right kind of people. Not everyone can afford professional art or design services, and that's ok.

Get paid in advance.

For some projects you can charge 100% in advance, collected on day one. Don't be shy. If you have a good portfolio, your buyer will know what they are getting for the price. For longer projects, at LEAST get half up front, and don't do any work that you haven't already been paid for at any point. For example, if the client pays you up front for the first step of the project, like brief brainstorming sketches, then don't supply the next step (a tight sketch, for example) until you have been paid in advance for that part of the project. This way, you will never wind up doing work that you don't get paid for and you can break it down into pieces for clients that feel uncomfortable paying everything upfront. Don't deliver the final until you have every penny. If you need to send a proof, make it a low-res copy so it can't be used.

Draw up a contract.

Contracts don't have to be too thick with legalese or overly complicated, but make sure you are covered if (when) you have to ask for more money for revisions. This is for your client's benefit as much as it is yours; make sure your customers won't have any surprises. I usually make minor changes to final work for free, such as color adjustments for graphic design projects. Any slight adjustment like that I recommend giving away in good faith. It's not much trouble at all and it makes up for any errors in communication that may have happened along the way. Multiple revisions and true redesigns are billable, however. Work with the client and be flexible, but have standards. The point of having an agreement is to make sure both parties are happy. Make it win-win, and make sure both of you feel like you are coming out ahead in the deal. It is called a "commission" for a reason. If you break the word down, you get the latin prefix "co," meaning together / mutually / jointly and "mission," a task or duty. In another words, it's all about two people working together with a common goal.


It is important to work out all the details of the project ahead of time. Make sure you know exactly what the client wants and expects for their money. The "I'll know it when I see it" clients are probably the most difficult kind. If you run into one, it's a good idea to make a variety of detailed planning and brainstorming sketches for the client to review before you put a lot of time into something. Communication is always key. Make sure they commit to one idea before you begin working in depth, or you might be facing endless do-overs to the point where the client gets discouraged and drops out of the project.

Use your design sense. You will very often know what will look better and work well for the client better than they do, but this can be a tricky thing to explain without insulting anybody. It is a diplomatic give and take to find a balance between what the client wants and what you know will actually look good. Designers, you don't have to give into pink and purple polka dots and flashing rainbow letters if you explain (without being condescending) why that kind of website, for example, would not serve their business well in the long run. A lot of times clients have a hundred ideas, but even if somehow they are all good ones, you can't fit them all into the same project. Arm yourself with information about the market and educate your client about how design works and why. You might be amazed how receptive they can become. If you are a web designer, show them the top websites on the internet, for instance, and explain why they are designed well and how this serves the companies they belong to.

A lot of the time people don't know what they want, and even if they think they do they might not be pleased with it when it is actually done. That's why they hired you. Remember that you probably want to walk away from this project with a piece worthy of your portfolio. This isn't always possible, of course. The balance is very important. I always ask new clients if they have worked with an artist or designer before so I can know where we are at before we start. If they won't give an inch on those dancing pink unicorn gifs they want in the side bar, it might be time to politely explain you are not the designer best suited for their project.


Sometimes, shit happens.

Sadly, a disturbing amount of clients walk away from contracts or refuse to pay for work that you've done. "I decided I don't like / want it" is not a valid reason for a client not to pay you for your work if you have done what they asked and done it well. It continues to blow my mind that people do this, but it seems to happen to all freelance creatives at some point. Imagine someone sitting down at a restaurant, eating their meal, and then refusing to pay the tab because they "decided they didn't like it!" For some reason, a lot of people think it is ok to do this to artists. I usually include a "kill fee" in my contracts, which is a fee I charge the client in the event that the project is abandoned, usually 15% of the remaining work's price. While someone that is determined to break contract will likely still not pay the fee, I've found that the majority of clients are less likely to walk away when they are aware that they will be charged to end the project. The kill fee separates clients that are simply naive about how art labor works, and those that actually want to screw you. As far as clients go, you more often run into the former, actually. I think people just don't understand that art is hard work (that's why they call it "artwork," after all). Educate them.

Don't work for less than your regular rate.

While it is your choice ultimately, all of this applies to friends and family as well. I do not give family discounts. If my buddy needs an album cover for his band and only has ten dollars to his name, I will not take the job. There are a few reasons for this, and it has nothing to do with a lack of love:

1. I am a professional. If I want my friends and family to respect me as such, then I need to show them how I do business.

2. There is an opportunity cost to everything that you do. While I am spending countless hours making that album cover, I am missing out on other more lucrative work I could be doing instead. If you take a job like that, you actually lose money.

3. It can cause some real tension. In principle I don't mind doing work for friends and family, and I have done it often-- at full price. If you aren't getting paid what you need though, then any revisions and adjustments start to really hurt. When you are doing something as a favor, you may quickly become resentful when changes need to be made because there is this lingering vibe of "I'm doing this as a favor, act grateful" rattling around in your subconscious. Conversely, your buddy has the feeling "I want this to be right, you said you would do it like we agreed!" It's nobody's fault, either; it's just human nature. If you are getting paid for your work, revisions and critiques are no problem because you are making good money.

4. As soon as you do a cheap job for a friend, they pop up with another friend that wants a cheap job too! This might never end and you will get trapped in that discounted rate forever. I don't ever want to have to say: "Sorry, you are not a close enough friend for me to do this at the same price." Ouch. If you charge properly though, then the future recommendations from your friend or family member will be excellent, lucrative jobs.

Beware of red flags.

Avoid jobs from "start-ups" that promise to pay you for your work "once the money is available." You will usually receive a pitch that goes something like this:

"I have this great idea for a new business / website! We are going make a bazillion dollars once this thing gets started, it's so totally going to be the next (insert famous multimillion dollar business here)! I just need you to build me a website / make me a branding package / illustrate my children's book that doesn't even have a publisher yet / do all of the work for me. I can pay you when we make it!"

They really believe what they are saying, too. I have a reality check for you. Small business start-ups with no investment capital (especially to the point where they can't afford to pay a designer) just about always fail. Even start-ups with investment capital often fail, and those that don't immediately tank usually still won't see a real profit within the first three years. Thousands of people out there think they have the next greatest thing; most of them don't. If you are getting paid in advance though, none of it matters. You can just do the work and be on your way.

Be awesome.

Now before your new art-ego makes you float away after all that brutal money-talk, I would like to remind you to make excellent customer service the cornerstone of your business plan. Be awesome! Treat your clients as you would want to be treated if you were paying for a service. Don't be paranoid, don't be a flake, and always fulfill your end of the contract. The worst thing you can do is leave a client feeling cheated because you didn't do your best. The best advertising on the planet is word of mouth, especially in the form of a genuine recommendation from a trusted friend or colleague that had a good experience with your services. If you are doing it right, word of mouth often winds up being your very biggest source of new clients and projects. There is no substitute for personal networking. Return customers are a hugely important part of your business and they give you precious job-security that freelancers rarely get to enjoy. And be excited; it's contagious!

Frugal Living for Creatives: the Basics

Sunday, September 16, 2012

A lot of people ask me how I manage to make a living as a full-time freelance artist. Despite the common stereotype, being an artist isn't always a low-income career path and you don't have to hit it big to make good money in the industry. However, living as a freelancer often means inconsistent income, and if you are starting your own business, you may need to make some investments before you start seeing any profit. Therefore, learning to live a frugal lifestyle is a very valuable skill for creatives, especially those of us just starting out.

So, how do you make a living as an artist? This is a broad topic for sure, but as the most basic level it calls into question: What does it mean to "make a living?"

If you think about it, that's a pretty deep question. In fact, people have been philosophizing and debating that one for thousands of years. However, regardless of your thoughts on the nature of the universe or how you define happiness or success, just about everyone can agree that it all starts in one place: survival.

Whether your aim is to become a millionaire before you're fifty or become one with the Tao, you will not be doing any of it if you are not around to do it. While I could write a thousand blog posts (and believe me, I intend to) about the intricacies of marketing your art or finding fulfillment as a creative in this life, it seems appropriate to cover the bare basics first. What are the basics for survival? In essence: food, water, shelter, fire, and security.


Don't starve the artist! Ramen? No. As delightful as that stereotype is, trust me that it isn't the solution. While it appears cheap and easy, packaged foods are almost never the best bang for your buck, and they don't have the nutrition needed to keep you healthy and functional. I'm not a big fan of MSG either. Did you know that you can make the equivalent of a cup of Ramen with regular pasta and homemade stock for even less than you can buy the packaged kind? 

The bottom line is that you need to learn to cook for yourself. It doesn't have to be difficult, and in fact, it's fun. Once you learn how to make a few basic meals from simple ingredients, you can build your confidence and creativity from there.

Buying staple foods in (reasonable) bulk is the best way to save money and eat well. Buying food that keeps well prevents food waste and saves you extra trips to the grocery store. Rice and dried pasta are incredibly cheap and add substance to a meal. Brown rice and whole grain pasta are much healthier and heartier options. Root vegetables like potatoes, onions, and carrots are excellent, inexpensive sources of nutrition that keep well in the fridge for a long time. Frozen vegetables are a good buy too and are much more nutritious than canned ones. If you eat meat, look for inexpensive cuts and buy them on sale. If you learn how to braise meats (a moist slow cooking method), then you will never have to deal with tough meat again and can save the money you would otherwise spend buying expensive cuts when you're craving a tender steak. If you freeze red meat, it can remain safe and nutritious for months or even years. There are thousands upon thousands of recipes you can make with these basics, and you can always improvise. I will be sharing some of my own recipes on this blog in the future.

Save your leftovers, obviously. Freeze what you can if you don't plan to eat it right away. Try not to hoard things though. If you throw out spoiled food immediately you won't crowd your fridge, which can lead to you wasting more as you forget about what you have or lose track of what is fresh. You won't be tempted to buy more Tupperware either. Never risk eating spoiled or questionable food. When you really get down to it, it is much less risky to not eat for a day than it is to get food poisoning.


It comes out of the tap. Drink it. In many apartment complexes water is included as a flat rate with rent, so if you can can score such a dwelling that is a plus. 

You really need to be hydrated. 

If you live in a place where the tap water is awful, consider getting a water filter that attaches to the kitchen faucet. These can cost a few bucks, but it is much cheaper than bottled water in the long run, and it will be there when you need it. I lived in Florida for many years, and although the tap water is "safe," drinking a glass of it tastes a whole lot like drinking a glass of piss. The filter helped a lot, and I was glad to be able to make tea and coffee and boil foods with water that didn't leave an awful aftertaste.

Stop drinking soda! Juice is much better, but it is still very sweet and concentrated. If you can't see yourself drinking only plain water all the time, adding just an inch of juice to a full glass of water is a great solution. It tastes great, is easy to drink, and is much cheaper and healthier than downing vast amounts of sugar all day. If you need to lose weight, it might blow you away how much just this simple change can help. Look for 100% juice varieties, otherwise you are just buying sugar water.


This is the greatest expense for most people and consequently also the greatest source of stress. I am a huge advocate of small and simple living quarters, both for frugality and by philosophy. I currently live in a 290 square foot apartment with my boyfriend, a cat, and a guinea pig; I honestly have no want for more space. Finding success and comfort in small spaces is best achieved by getting rid of all the crap you don't need. I'm a bit of a minimalist at heart and living lighter is an immense joy that I hope more people begin to embrace.

Living in a small space is also a truly wonderful outlet for your design creativity. Creating an efficient and attractive home in small quarters by using your creative mind and planning projects is really, really fun. Really.

Regardless of the size of your space, finding affordable housing is a lot about location. While big urban centers like Boston are highly attractive to creatives, living right in the heart of a big city can be a costly venture. Like all things in life, look for a balance. There are many places just outside big cities that are affordable, but still close enough to give you access to the urban center's cultural draw.


One needs to be warm, have light, and cook. In the modern urban context, this translates to the need for power, specifically utilities like heat, AC, and electric.

Having a small living space is probably the absolute best way to cut down on your energy needs. Apart from that and besides the obvious things like turning out a light when you leave the room, there are a lot of simple strategies that can help you save money on fuel.

Learning to make one-burner meals, ditching your TV, and making sure your windows are adequately insulated are just a few ideas. Having a smaller energy footprint is an added plus.

If you live somewhere with dramatic seasonal shifts, talk to your power company. It is possible to arrange it where you pay more during the summer (when you use much less gas heat, for example) to offset your winter spending. That way, you still only pay for what you actually use, but you can spread out the cost of your bill over the course of the year so you don't suddenly run into massive charges when the weather gets colder.


If you live in a first world country you already have a big leg up on this one. Keep in mind, however, that in your search for inexpensive housing you might come across some neighborhoods that are less than safe. Often there are much safer places for equally low rent in another part of town. Get to you know your area, and try not to get in over your head.

I am going to group health insurance under this heading as well. It is important to be covered, and this often becomes a problem for self-employed individuals. In the U.S., if your income is low enough, or you are disabled, you may qualify for public healthcare. This is a massive pain in the butt, and I only recommend it if it is your only option. I am fortunate enough to be covered by my parents' plan, but understandably that option is not available for everyone.

Once you can cover the necessities with your income, then you are already successful. If you are supporting yourself, everything else can be built from there. Really, the key to it all is to take a hard look at your priorities. You can give yourself the chance to spend your time doing what you love just by living light for while. There is a full and fulfilling life out there for those of us that spend less. Take the time to learn how to make things for yourself, whether it is food, furniture, of any one of the thousands of things you habitually buy. Relinquishing your dependance on commercial goods is a freeing experience that gives you a warm sense of independence as well as fewer worries. Over time, the things you used to buy become forgotten and unimportant, while your time and ingenuity take center stage instead.

I Blame the Cat

Sunday, March 11, 2012

It's true. I haven't posted in weeks. Bad, bad blogger.

While keeping up with a growing Etsy shop, filling custom orders, dealing with graphic design clients from Hell, and nurturing an ever-shrinking personal life, I often wonder what it is that is holding me back. What is it that separates my little homegrown jewelry and bead business from the fabled Etsy super-sellers that move necklaces like they're bricks of uncut cocaine?

Though I still consider myself a bit of a small business noob, I feel like I have my bases pretty well covered. I admit I am still hammering out some SEO and advertising details. I am retaking a lot of my product photos and fine tuning my branding, but I am confident that I have a quality, inspired product that people love. So while there is always room to grow, I have realized that it all comes down to one deciding factor-- this thing:

That's right, I blame the cat.

I think it first dawned on me the last time I found myself vigorously scrubbing alizarin crimson paw prints off of all my desk surfaces at 3 in the morning. While my back was turned for two seconds the beast had stepped in my wet paint palette and tracked it everywhere, setting my work back a couple hours while I scrambled to rescue everything I owned from being stained forever.

Then there was the time she knocked over my tray of beads that I had spent the entire previous day sorting meticulously by shape, material, and color. I think it took me two weeks to retrieve the last of the scattered saltwater pearls and jasper rounds from the dark, dusty corner behind the dresser and the spaces between baseboards. If she wasn't so adorable I would have strangled her on the spot.

It seems like for every batch of beads I paint she manages to abduct one and bats it around the house with that maddening cat-batting-around-a-wooden-bead-down-a-long-wood-hallway noise. Sometimes she doesn't even wait for them to dry first.

While I lie awake at night after the latest disaster, I conspire to mail her off to my stiffest business competitor as a gift. I would get twice as much done around here without her, and their production would be cut in half. The best part is that she is so cute and fluffy, they wouldn't be able to get rid of her-- which is the exact situation in which I find myself now.

So I often wonder where the day has gone with my blog posts unwritten and bead batches unvarnished. And when sales inevitably lull for a time in that retail ebb and flow, everyone starts looking for a reason for the drop. While the Etsy forums chalk it up to solar flares, I blame the cat.

Finding Inspiration in Everyday Things: An Exercise in Creativity

Wednesday, February 1, 2012

Look Around
There is a vast array of visual information out there just waiting to inspire you. Look around right now. Find an ordinary object you like, something you find aesthetically pleasing. Maybe it's your coffee cup or your wooden desk, or the jeans you are wearing. Try to stay away from big romantic things for the moment. Keep it small and simple. So don't pick a sunset, keep it mundane. If you are thinking of the forest, try to narrow it down to the bark on a single tree (and bravo for finding an internet connection in the woods). Seriously, don't cheat, find something that is actually near you right now.

Try to figure out what you like about that object. Don't think about what it is, think about what it looks like. If you like your coffee cup because it reminds you of your mother, pick something else, keep it concrete. Is it the shape, color, or texture? Describe it in your mind. Maybe your coffee cup has a nice shape with a subtle curve and clean lines. Maybe you like your desk because of the rhythmic patterns of the wood grain, and your jeans because you love the look of that faded blue. Get specific, try to isolate just one quality of the thing you like.

Now consider making your next art piece based around that single quality-- a color, a texture, a type of line. Then build it up from there. Maybe you liked the crescent moon the other night. Maybe the rough peeling paint on the back of the rusting dumpster behind your work inspired you. I once made a web design based around the colors of my cat. Remember that the point of this exercise is not to be literal. It's not about painting the moon or the dumpster, or putting cat charms on your next bracelet. Instead, consider knitting your next hat in the color of that dumpster's rust spots, or making a necklace in a crescent shape. Find the subtle motif. The web design I made had nothing to do with cats, but I liked the warm french gray, darker cool gray, white, and orange spots she had and realized it made an excellent color palette.

My latest inspiration from this exercise came from the spice rack in my kitchen. Cayenne, paprika, and cinnamon reds; curry powder, spicy mustard, and ginger yellows with sage green? Yes, please! So I made a bunch of lovely beads:

More on Color
Pure saturated hues get played out very quickly, and you have probably used them all in your work before. Look for the "off colors," the colors between the ones on the color wheel. Think of a yellow-orange, perhaps more on the yellow side. Now neutralize it. Beautiful thought, isn't it? A rich, earthy goldenrod! One of the great things about neutralized colors is that you can group more of them together in a single color scheme before you get nauseous. If you put a bunch of saturated primaries and secondaries together, your creation might wind up best suited for clowns and young children. I've definitely seen people pull it off, but it is rarely done effectively. If you are in love with a saturated hue, try using one at time in combination with a few neutrals.

But I Like the Sunset
OK, fine, but try to pick just one thing at a time that you like about it. The shape of one cloud, or just one of the colors you see. Find the concrete details. As you get better at this, you can let your choices become more abstract. You can even learn to use this technique on feelings. What are you feeling right now? Are you hungry? Make a hunger piece. The trick is still in narrowing it down. Choose one thought, one instance of hunger, or just the feeling of emptiness. Even that thought of emptiness can mean so many things. Maybe your next composition needs more emptiness-- more negative space. Keep narrowing it down until you find the essence of what attracted you to the object or feeling in the first place. I find that the most successful artists are more interested in how to express something than what they want to express.

Change the Way You See Your World
A side effect to this exercise is that you will start to like your life more. As your focus shrinks your world grows. You will realize not only that anything can be inspiring but that everything is inspiring. How about that litter on the street over there? I kind of like the way the light is hitting it...

8 Reasons to Buy Handmade or How To Have a Better Shopping Experience and Save the World at the Same Time

Tuesday, January 31, 2012

1. Find Something Unique
Why be a fashion sheep when you can be the shepherd? I for one, have never liked to base my wardrobe around what everybody else it wearing. The stuff I like is usually unusual and hard to find in a department store. When I wanted a warm knit scarf in a particular shade of curry-power yellow, where do you think I found it? Etsy. Even if you like keeping up with the current trends, why not change it up with a one of a kind accent piece? Be a trendsetter and watch people notice. As a bonus, when someone asks you where you got that gorgeous new knit scarf you are wearing, you can proudly tell them is it a one of a kind piece from an emerging new indie artist. Très chic.

2. Superior Craftsmanship
When products are not made by Chinese 8-year-olds it shows. Handmade items receive individual care, attention, and quality control. When a single person or partnership develops a project from beginning to end, the result is often a well planned product that achieves an artist's vision. This is certainly not the case on an assembly line, where items are put together by unskilled workers that often don't even know exactly what they are making or how it works.

3. Put Money in Good Hands
Would you rather line the pockets of a CEO, or an independent artist working their way through college? Buying from independent artists and craftsmen is one way to guarantee that the people actually doing the work are receiving all of the profit. Occupy Wall Street? One of the reasons the 1% is on top is because we keep giving them our money. Please realize that you vote with your wallet in this country. The industries that grow are the ones generating income. Would you rather watch a community of independent artists grow and flourish, or watch another Walmart open up in that shopping center down the street? You can actually improve the economy and make a real difference in the world by shopping responsibly.

4. Better Customer Service

I love shopping handmade for the individual attention from seller. I love the hand-written thank you notes and little freebies tucked into the atheistic packaging, but it goes beyond that. If there is ever a problem - lost or damaged in shipping, product mix-up, spontaneous combustion - it is almost always taken care of promptly and effectively. There is a better chance of getting a refund, replacement, or return when necessary when dealing with real human beings. It cuts out the all the icky bureaucracy of retail. I have also noticed that with handmade sellers, these issues happen less frequently to begin with. Why is this? Indie crafters actually care whether or not you are happy with your purchase. They actually need your business. Do you think Wally World actually cares if you are unsatisfied with their products? Not likely. They have ten million other shoppers buying from Walmart that day. If one customer never shops there again, it doesn't really dent their business model.

5. End Slavery
Every time you spend your money on sweatshop or child labor products, you are feeding that industry. Remember that 8-year-old in China I mentioned? What would happen if people stopping buying from the companies enslaving these children? The companies would lose profits. They would be forced to face that their business model no longer works because people are refusing to buy from companies with shady business practices. Maybe they would clean up their sweatshops. I can hear that whiny voice in the back: "But then the children would have no jobs and their families would plunge deeper into poverty! We are supporting the children by buying from them!" I call bullshit. What would really happen? Companies might learn that it is in their best interests to treat their workers well because the consumers will boycott them otherwise. Maybe the jobs their parents work at will start paying them more for the same reason. Maybe the children can go back to school and get real jobs one day, where they aren't risking life and limb in a factory.

6. Go Green

Manufactured items are notorious for generating massive amounts of pollution. Vast quantities of fossil fuels are burned every year powering the machines that stamp out the mass produced crap sold at retailers around the world. Small scale operations produce far less waste and have much lower rates of energy consumption. Also, many crafters in the handmade community work with recycled materials. I myself use a wide variety of found objects, industrial salvage, and repurposed jewelry parts-- items that would have likely wound up in a landfill otherwise.

7. Get Custom Items and Alterations

There is something really neat about getting things made especially for you. It's not even just about the thrill of getting a one of a kind item. What if you have a vision for something that doesn't exist yet, and don't have the skills to make it yourself? There is someone out there that will work with you to achieve your vision! How cool is that? Maybe you are a weird size like I am. I'm super petite, and it is almost impossible to find things that fit. I don't even have to get something made from scratch to remedy that. I can just find a bracelet, for example, on Etsy, and it is a simple matter to ask the merchant to size it for me.

8. Make Somebody's Dream Come True

Perhaps you are a crafter yourself. Maybe you dream about quitting your day job, becoming your own boss, and doing what you love all day every day. If so, you can easily imagine the joy it would bring to be able to work with passion and creativity. You can help make that dream come true for someone else! And when you do so, you are fueling the indie artist community. People will become inspired by successful artists around them and grow the courage to follow their own dreams as well. Save a talented artist from wasting away at the late night shift at Dunkin Donuts. You make it possible.